Bryan Prillwitz
  • Male
  • Benton Harbor, MI
  • United States
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Bryan Prillwitz liked Tati Ana's photo
Sep 15
Bryan Prillwitz commented on Tati Ana's photo
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market

"Really reminds me of long ago of a rainy day working at the fruit stand and the umbrellas my dad would set up on the back of the IH truck. Those umbrellas were usually to shade the fruit."
Sep 15
Bryan Prillwitz liked Tati Ana's photo
Sep 15
Bryan Prillwitz liked Wendy James's photo
Sep 15
Images posted by Bryan Prillwitz
Sep 15
Bryan Prillwitz liked Jerry Ross's photo
Sep 4
Bryan Prillwitz liked John T Cooksey's photo
Jul 15
T Oliver Peabody liked Bryan Prillwitz's photo
Jul 7
Bryan Prillwitz liked Nina Ozbey's discussion Please Critique
Jul 5
Bryan Prillwitz added a discussion to the group Art Critique Gallery and Forum
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"Soul Press" Art

I went back to art some time after I attended the Paul Gauguin exhibit at the Art Institute of Chicago that went on quite awhile ago.I loved Picassos nude painting of Fernande Oliver done in terra cotta colors, and also the Modigliani painting of a red haired girl holding a cat.I find it was the flesh/ fleshiness that eluded…See More
Jul 5
Bryan Prillwitz liked Keri Mills's photo
Jul 5
Bryan Prillwitz liked Keri Mills's profile
Jul 5
Bryan Prillwitz liked Nina Ozbey's profile
Jul 5
Bryan Prillwitz commented on Nina Ozbey's photo
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Gilded Serenade 36x48

"I Love this."
Jul 5
Bryan Prillwitz liked Nina Ozbey's photo
Jul 5
Bryan Prillwitz replied to Nina Ozbey's discussion 'Please Critique' in the group Art Critique Gallery and Forum
"Great color. I like the carousel theme. It makes me want to paint carousels. I want to know the size. 5 x 7 feet is a great size for me top paint. Something like this would be perfect like that. Thanks for sharing."
Jul 5

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Bryan Prillwitz's Blog

Artists Statement

Posted on November 10, 2012 at 9:36am 0 Comments

    My drawings and paintings combine war machines with the human image to portray primitive feelings and sexuality, inner memory, desire and conflict. I want to describe the tortures of denial and the feeling of diminishment that exists for both sexes in this period of perpetual war. The pairing of the elegant with the brooding, and the feminine with the masculine are made real through the physicality of paint and the performance of line.

    I control the raw opacity and…

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