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Mixed media on panel and ALUMINUM border
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Venezia I caught my attention with its lyrical lines weaving between decorative geometric and Harlequin patterns. The abstractions in the piece share foliage or landscape oriented elements, without supporting a traditional figure-ground relationship. I also find the shifts between warm red-violet shapes and more neutral, low contrast neutral hues quite interesting. The composition appears to be held together by two gridded areas with sweeping diagonal arcs cutting between them. I see the painting as much lighter in tonality and mood than most of your other works. I admired the strong black gestural imagery some time ago (the No Room For Buffalo series), and I see now how these bold works may have overshadowed my reading and appreciation of the more delicate passages in Venezia. I also recognize this piece was posted around the same time, and so I would love to see how your practice has evolved in recent years.
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Ms Kristen T. Woodward critiques of members art.
The Abstract Image
CICA International Exhibition: Lines of Thought
2nd Annual 'Skies' Juried Art Exhibition
Roadside Art Seeking International Calligraphy
Embracing Our Differences
BRMAA National Photography Show
Pride and Prejudice: Gender Realities in the 21st Century
PH21 Gallery' Monochrome
Camera Work: Landscape & Architecture
Textuality: An International Exhibition
J. Mane Gallery' Online Exhibition: Mind Body Spirit
11th Annual Governors Island Art Fair
CICA Contemporary Art Solo Show Series
NAWA' Small Works Summer 2018 Exhibition
Up Close and Personal
Million Dollar Portrait Prize
City of Elgin' Call for Public Art
Artist Residency at the Hambidge Center
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