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Mixed media on panel and ALUMINUM border
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Venezia I caught my attention with its lyrical lines weaving between decorative geometric and Harlequin patterns. The abstractions in the piece share foliage or landscape oriented elements, without supporting a traditional figure-ground relationship. I also find the shifts between warm red-violet shapes and more neutral, low contrast neutral hues quite interesting. The composition appears to be held together by two gridded areas with sweeping diagonal arcs cutting between them. I see the painting as much lighter in tonality and mood than most of your other works. I admired the strong black gestural imagery some time ago (the No Room For Buffalo series), and I see now how these bold works may have overshadowed my reading and appreciation of the more delicate passages in Venezia. I also recognize this piece was posted around the same time, and so I would love to see how your practice has evolved in recent years.
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Ms Kristen T. Woodward critiques of members art.
Color Photography: 2018
Empty Places: Abandoned Spaces
Similitude: Works Exploring Portraiture
Contemporary Sculpture: Off the Wall, Floor & Ceiling
Inside / Outside: Upstream Gallery' Small Works 2019
Art on Paper
Sink & Chairs: International Call for Works Exploring Sinks or Chairs
Middle Tennessee Community College Showcase
Biggs Shot 2018
Arteles Creative Center' New Course Residency
Hoyt Galleries' Solo or Group Shows
5th International Exhibition and Publication on New Media Art
4th Annual Figures & Faces Art Competition
Wallsaver.Art Online Art Marketplace: Sell your Art!
Margo Harris Hammerschlag Biennial' $5,000 Direct Carving Competition
17th Annual Indian Wells Arts Festival
Superfine! The Fair
National Sculpture Society' Grants
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