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Mixed media on panel and ALUMINUM border
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Venezia I caught my attention with its lyrical lines weaving between decorative geometric and Harlequin patterns. The abstractions in the piece share foliage or landscape oriented elements, without supporting a traditional figure-ground relationship. I also find the shifts between warm red-violet shapes and more neutral, low contrast neutral hues quite interesting. The composition appears to be held together by two gridded areas with sweeping diagonal arcs cutting between them. I see the painting as much lighter in tonality and mood than most of your other works. I admired the strong black gestural imagery some time ago (the No Room For Buffalo series), and I see now how these bold works may have overshadowed my reading and appreciation of the more delicate passages in Venezia. I also recognize this piece was posted around the same time, and so I would love to see how your practice has evolved in recent years.
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Ms Kristen T. Woodward critiques of members art.
Urban Wildlife: Learning to Co-Exist
'Into the Wild' International Online Painting Competition
NUDE: 10th Annual International Exhibit
NAWA' Small Works Summer 2018 Exhibition
Oil Painters of America' Eastern Regional Juried Exhibition of Traditional Oils
PH21 Gallery' CorpoRealities
Contemporary Photography 2008-2018
Abstract - The Space Between
Color Space: Contemporary Photography
The Abstract Image
WMoCA 2nd Annual Juried Exhibition
Million Dollar Portrait Prize
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5th Biennial Fiber Options Exhibitions
Show Your World 2018
64th Annual Exhibition
City of Elgin' Call for Public Art
Artist Residency at the Hambidge Center
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