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Tree of the knowledge of good and evil
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Tree of the Knowledge of Good and Evil was painted several years ago, but as I was looking back through older images, the flash of crimson red caught my attention. The elongation of the pale figure’s hands and ruffled Elizabethan collar reminded me of the German Renaissance painter Lucas Cranach the Elder, and his depictions of sin and Godly grace. The rich iconography in this piece carries through in your other work; good and evil are literally depicted on either side of the subject. The dead white dove may have been overcome by the choice presented to the viewer. Yet the black raven looks neither responsible nor complicit in its counterpart’s demise. I do find it interesting that despite its inverted/fallen position, the white “innocent” bird is held up higher in the pictorial space. The tree limbs that form the subject’s crown suggest the Biblical crown of thorns, but may also conjure more mystical/pagan references. It is a provocative portrait. And as such, I do hope you post more work in the New Year.
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Ms Kristen T. Woodward critiques of members art.
Color Space: Contemporary Photography
The Abstract Image
Abstract - The Space Between
Hacked: Art About or Achieved Through Re-Use
WMoCA 2nd Annual Juried Exhibition
Up Close and Personal
Million Dollar Portrait Prize
CICA International Exhibition: Color
5th Biennial Fiber Options Exhibitions
ViewPoint Gallery International Photography Competition
INPHA 7: International Photography
64th Annual Exhibition
NYC4PA: Urban Landscapes, Suburban Scenes, Rural Impressions
Show Your World 2018
2018 Voies Off Awards
Americas 2018: All Media
City of Elgin' Call for Public Art
Does It Match the Couch? A Juried Exploration of Color
Artist Residency at the Hambidge Center
Monmouth Museum NJ Emerging Artists
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