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The Orange Face came up randomly on the site for me today, and I’m intrigued by the title’s reference to representation despite the arguably non-objective subjective matter. I’m also curious about the drawing’s skewed rectangle, and if this orientation is intended. .Some pieces within your portfolio appear to have shaped supports, while other simply include background and appear titled from the angle of the shot. In either case, I do like the organic quality of the forms within the fiery field of yellow-orange and red gestural marks. The treatment of this space suggests an energy flux more than solid ground. The blue linear form moving out of the red adds to the ambiguity of the picture. Its solid boundaries and higher chroma hue make it a focal point, while the sinuous and sudden change in direction provides a snake-like movement. What appear to be thin blue lines sketched around the contour of the “face” further add to the dynamic tension between the spaces. It is a very interesting drawing, holding the viewers’ attention and imagination.
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Ms Kristen T. Woodward critiques of members art.
Grayscale: A Picture Show
Portraits Without Faces
12 CUBED: Exhibition of Small Scale Works of Art
Close Up Photography Exhibition
The Really Affordable Art $how
80 Exchange Street Mural Project
Aqua Fest 2018
CICA International Exhibit: Contemporary Landscape
Lore Degenstein Gallery<br> 10th Annual Figurative Drawing & Painting Exhibition
J. Mane Gallery' Juried Exhibition: H2O
Painting in the 21st Century
New Horizons: Landscapes
interPHOTO' International Juried Photo Exhibition
Material Matters: Breaking with Tradition
31st Annual Northern National Art Competition
CG' Online Painting Competition: Flowers
Roadside Art Seeking International Calligraphy
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