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I find the title of this straightforward painting to be quite poetic. The hard defining break of the diptych format separates the ground from the sky, visually adding to the notion that the mountains would literally lift off their bases. The darker tree line in the foreground overlapping the lighter violet and blue silhouettes of land anchors the composition, and contributes to the narrative of darkened and contaminated mines. That the viewer doesn’t actually see the canaries as bellwethers of an ominous future is an interesting artistic choice. Perhaps we are left to contemplate the “after” in the story, viewing the mountains fading away from the sharper, graphic, and most immediate presence.
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Ms Kristen T. Woodward critiques of members art.
13th Arte Laguna Prize
Nocturnal: A Curated International Photography Exhibition
484 North Gallery' Open
Dedo Maranville Fine Arts Gallery'<br>Call for Solo & Group Exhibition Proposals
Contemporary Art Gallery Online's 6th Annual "ALL Figurative / Portrait" Art Competition & Exhibition
Valdosta National 2019
100 Square Inches of Art
Emerging Artists 2019
Bromfield Gallery's Solo 2019
Art Teleported Brooklyn NY 2019
Margo Harris Hammerschlag Biennial' $5,000 Direct Carving Competition
32nd Annual Materials: Hard + Soft
9th Tapped: Works by Artists and<br>their Current or Former Instructors
Manifest Regional Showcase: New England & Gulf South
ArtDeadlines.Com Call for Artists - Front Page
ArtDeadline.Com - Artist Income and Exhibition Opportunities
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