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L’anthurium came up in a random search on the site, as I was surprised to see it belonged in the context of your other hard edged post-painterly abstractions. Aside from a more naturalistic and darker subject matter, the use of space is also handled quite differently. The centralized potted plant has a figurative quality, but it floats within the subtly graduated ground. The blended background hues suggest a hazy sky/ground relationship, but without a discernable horizon or break in surface texture. I find the deep ultramarine in the top section appealing, especially against the dark green leaves. I also like that the white pot breaks up the otherwise dark and muted value pattern, while the form echoes the heart-shaped leaves. I’d be interested to see if you have similar organic works in another series.
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Ms Kristen T. Woodward critiques of members art.
The Hopper Prize
Future 2019: Art for the Next Generation
Inside / Outside: Upstream Gallery' Small Works 2019
Fusion Gallery' 4th Annual Leaves & Petals Art Competition
Underneath It All: The Underwear Show
Watercolor - Luminous Light
CAGO's 'ALL Sports/Athletics' Online Competition
NYC4PA: Black and White 2018
Eros & Spirituality
Social Justice in the Misinformation Age
Artists In Action 2019
Color Photography: 2018
Empty Places: Abandoned Spaces
Contemporary Sculpture: Off the Wall, Floor & Ceiling
Sink & Chairs: International Call for Works Exploring Sinks or Chairs
Middle Tennessee Community College Showcase
Hoyt Galleries' Solo or Group Shows
Margo Harris Hammerschlag Biennial' $5,000 Direct Carving Competition
National Sculpture Society' Grants
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