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A Wonderful Tale (Bronze) appeared randomly today as I perused the site, and held my attention. I responded to the shifts in surfaces between the smooth and rough skin. While the subject is a Classical and obvious mermaid, there is some ambiguity to the form, and interesting suspension in the weight of the sculpture. The figure appears to sit back and pull away slightly from the viewer as if she was perched on a rock shelf or rising wave. The dramatic curve and twist of her finned tail also offsets the downward cast position of her gaze. I also appreciate that the greenish patina appears more accentuated in her upper body, segmenting her form just as the sinuous counter curves in the base anchor her visually. Looking at the adjacent works in your portfolio, I was reminded of my intense admiration of the carved alabaster piece Sanctum Sanctorum. I see that it actually shares some formal concerns with A Wonderful Tale, as it plays contrasting surfaces against one another. Both sculptures present fantastically constructed forms that reside along the edges of our collective imaginations and shared mythology.
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Ms Kristen T. Woodward critiques of members art.
WPG' 2018 National Small Works Competition
CICA International Exhibition: Lines of Thought
The Abstract Image
2nd Annual 'Skies' Juried Art Exhibition
Roadside Art Seeking International Calligraphy
Embracing Our Differences
BRMAA National Photography Show
PH21 Gallery' Monochrome
Camera Work: Landscape & Architecture
Textuality: An International Exhibition
J. Mane Gallery' Online Exhibition: Mind Body Spirit
11th Annual Governors Island Art Fair
CICA Contemporary Art Solo Show Series
NAWA' Small Works Summer 2018 Exhibition
Up Close and Personal
Million Dollar Portrait Prize
City of Elgin' Call for Public Art
Artist Residency at the Hambidge Center
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