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Portfolios: September 2014 Curator Reviewed Art
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I’m fascinated by 134 Saville, which appears to capture the fleeting gesture and cropping of a photographic source, but has a very gestural sensibility. The architectural components in the background provide strong groundwork for the insertion of the female figure, which appears to be briefly passing through the picture plane. It also is curious that the numerical address bears a prominent role in the piece, in an acute visual clarity unexpected for its distance and placement in the otherwise hazy middle ground. It could be said that the painting has a voyeuristic quality, since the gaze of the subject is averted, but we seem to be witness to an outdoor public scene rather than the domestic interiors in some of your other works. Formally I quite enjoy the brushwork vacillating between warm and cool tones, and the change in brushwork directionality that sculpts the pictorial space.
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Ms Kristen T. Woodward critiques of members art.
Color Photography: 2018
Empty Places: Abandoned Spaces
Similitude: Works Exploring Portraiture
Contemporary Sculpture: Off the Wall, Floor & Ceiling
Inside / Outside: Upstream Gallery' Small Works 2019
Art on Paper
Sink & Chairs: International Call for Works Exploring Sinks or Chairs
Middle Tennessee Community College Showcase
Biggs Shot 2018
Arteles Creative Center' New Course Residency
Hoyt Galleries' Solo or Group Shows
5th International Exhibition and Publication on New Media Art
4th Annual Figures & Faces Art Competition
Wallsaver.Art Online Art Marketplace: Sell your Art!
Margo Harris Hammerschlag Biennial' $5,000 Direct Carving Competition
17th Annual Indian Wells Arts Festival
Superfine! The Fair
National Sculpture Society' Grants
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