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memories pt 1

Posted by Sheila Barclay on September 12, 2017 at 11:01am 0 Comments

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Latest Activity

Resident Curator commented on Eric Hunter's photo
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Human Detritus Readymade #2

"Curator’s Comments:  This new series of images, Human Detritus, is satisfying in their painterly and visceral abstraction.  The hooded forms in #2 and # 3 are enigmatic; suggestive of both a tree and human figure.  The thinner…"
7 hours ago
Resident Curator commented on Lori Twiggs's photo
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Renaissance17F12

"Curator’s Comments:  Welcome to the site!  These still life paintings are exquisitely rendered with ambient light, each creating a sense of lush texture and reflection.  I’m particularly drawn to the loose splay of…"
yesterday
Resident Curator liked Lori Twiggs's photo
yesterday
Lori Twiggs replied to Karen Barton's discussion 'Comments requested on unfinished background and foreground.' in the group Art Critique Gallery and Forum
"Hi Karen, This painting has a beautiful, almost eerie quality to it with the soft lighting.  I love that the background is soft and, as you put it, unfinished.  I think it gives more importance to the horse and cattle.   It…"
Friday
Images posted by Lori Twiggs
Friday
Lori Twiggs replied to Catherine Peluso's discussion 'Help with farm painting' in the group Art Critique Gallery and Forum
"Hi Catherine,  First I should mention that I come from a less is more perspective.  Technically, your painting is outstanding but I feel pulled by so many clear and present subjects.  With that in mind, perhaps going back to your…"
Friday
Lori Twiggs joined A2a Editor's group
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Art Critique Gallery and Forum

ART CRITIQUE GALLERY AND FORUMSee More
Friday
Resident Curator commented on DENNIS A. DEZMAIN's photo
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PIROUETTE

"Curator’s Comments:    Thank you for calling my attention to this wonderful new piece.  I’m struck by the way the dark granite base virtually disappears into the (photographic) image, and am wondering if it would appear…"
Thursday
 
 
 

Resident Curator Views

Ms Kristen T. Woodward critiques of members art.

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